PUBLISHED PEER-REVIEWED ARTICLES
Hudde, Hermann. “Ricardo Lorenz: A Post-Colonial/Modern Latin(/o) American Composer.” Current Musicology 103 (2018): 97-120.
Hudde, Hermann. “Teresa Carreño: Cien años más tarde.” Revista Musicaenclave 12/2 (2018): 1-32.
Hudde, Hermann. “Reflections on a Conversation with Composer Miguel del Águila.” Revista Musicaenclave 11/3 (2017): 1-27.
Hudde, Hermann. “Tertulia con Paul Desenne.” Revista Musical Chilena 71/228 (2017): 95-111.
Hudde, Hermann. “Rupturas con las tradiciones musicales de la modernidad a través del mestizaje y lo real maravilloso: Una conversación con el compositor Paul Desenne.” Latin American Music Review/Revista de Música Latino Americana 36/1 (2015): 40-67.
INVITED CONTRIBUTIONS
Hudde, Hermann. “Classical Guitarists as Artists-Teachers.” Soundboard: The Journal of the Guitar Foundation of America 36 (2010): 36-37.
Hudde, Hermann. “The Power of Music: Venezuelan Seeds in Boston.” ReVista: Harvard Review of Latin America 8/1 (2008): 72.
BOOK CHAPTERS
Hudde, Hermann. “Leonard Bernstein and Latin America.” In Bernstein in Context, edited by Elizabeth A. Wells. Cambridge: Cambridge University Press, 2022. (Forthcoming)
PUBLISHED REVIEWS (RECORDINGS)
Hudde, Hermann. Review of “Ars Nostra Plays Max Lifchitz.” The Ars Nostra Ensemble. North/South Consonance N/S R 1058, CD. Resonancias 23/44 (2019): 185-186.
Hudde, Hermann. Review of “Collegium Musicum ‘Fernando Silva-Morvan’ and Camerata Barroca de Caracas. Monumenta Vol. II. La Música Colonial Venezolana. CD FD398200945.” Diagonal: An Ibero-American Music Review 3/2 (2018): 92-94.
Hudde, Hermann. Review of “Sweet Geriatrics by Waleed Howrani.” The World of Music 6/1 (2017): 153-154.
Hudde, Hermann. Review of “La Música Colonial Venezolana.” Nineteenth-Century Music Review 11/1 (2014): 172-174.
Hudde, Hermann. Review of “Jaguar Songs.” Tempo 67/266 (2013): 118-120.
Hudde, Hermann. Review of “Clara Rodríguez Plays the Music of Teresa Carreño.” Nineteenth-Century Music Review 10/1 (2013): 193-195.
PUBLISHED REVIEWS (BOOKS)
Hudde, Hermann. Review of “Cuban Zarzuela: Performing Race and Gender on Havana’s Lyric Stage” by Susan Thomas. Revista Musical Chilena 67/220 (2013): 110-113.
Hudde, Hermann. Review of “Latin American Classical Composers: A Biographical Dictionary,” by Miguel Ficher, Martha Furman Schleifer and John M. Furman. Revista Musical Chilena 66/218 (2012): 86-87.
PUBLISHED REVIEWS (SCORES)
Hudde, Hermann. Review of “Inocente Carreño. Inocente Carreño: Obras para piano. Volumen 10. Editado por Mariantonia Palacios. Revista Musical Chilena 68/222 (2014): 106-107.
Hudde, Hermann. Review of “Vol. 9 Clásicos de la literatura pianística venezolana. Federico G. Vollmer: Obras para piano.” Nineteenth-Century Music Review 10/1 (2013): 197-198.
Hudde, Hermann. Review of Caicedo Patricia “La Canción artística colombiana. Jaime León: Análisis compilación de su obra para voz y piano.” Revista de Musicología 35/2 (2012): 390-394.
Hudde, Hermann. “Ricardo Lorenz: A Post-Colonial/Modern Latin(/o) American Composer.” Current Musicology 103 (2018): 97-120.
Hudde, Hermann. “Teresa Carreño: Cien años más tarde.” Revista Musicaenclave 12/2 (2018): 1-32.
Hudde, Hermann. “Reflections on a Conversation with Composer Miguel del Águila.” Revista Musicaenclave 11/3 (2017): 1-27.
Hudde, Hermann. “Tertulia con Paul Desenne.” Revista Musical Chilena 71/228 (2017): 95-111.
Hudde, Hermann. “Rupturas con las tradiciones musicales de la modernidad a través del mestizaje y lo real maravilloso: Una conversación con el compositor Paul Desenne.” Latin American Music Review/Revista de Música Latino Americana 36/1 (2015): 40-67.
INVITED CONTRIBUTIONS
Hudde, Hermann. “Classical Guitarists as Artists-Teachers.” Soundboard: The Journal of the Guitar Foundation of America 36 (2010): 36-37.
Hudde, Hermann. “The Power of Music: Venezuelan Seeds in Boston.” ReVista: Harvard Review of Latin America 8/1 (2008): 72.
BOOK CHAPTERS
Hudde, Hermann. “Leonard Bernstein and Latin America.” In Bernstein in Context, edited by Elizabeth A. Wells. Cambridge: Cambridge University Press, 2022. (Forthcoming)
PUBLISHED REVIEWS (RECORDINGS)
Hudde, Hermann. Review of “Ars Nostra Plays Max Lifchitz.” The Ars Nostra Ensemble. North/South Consonance N/S R 1058, CD. Resonancias 23/44 (2019): 185-186.
Hudde, Hermann. Review of “Collegium Musicum ‘Fernando Silva-Morvan’ and Camerata Barroca de Caracas. Monumenta Vol. II. La Música Colonial Venezolana. CD FD398200945.” Diagonal: An Ibero-American Music Review 3/2 (2018): 92-94.
Hudde, Hermann. Review of “Sweet Geriatrics by Waleed Howrani.” The World of Music 6/1 (2017): 153-154.
Hudde, Hermann. Review of “La Música Colonial Venezolana.” Nineteenth-Century Music Review 11/1 (2014): 172-174.
Hudde, Hermann. Review of “Jaguar Songs.” Tempo 67/266 (2013): 118-120.
Hudde, Hermann. Review of “Clara Rodríguez Plays the Music of Teresa Carreño.” Nineteenth-Century Music Review 10/1 (2013): 193-195.
PUBLISHED REVIEWS (BOOKS)
Hudde, Hermann. Review of “Cuban Zarzuela: Performing Race and Gender on Havana’s Lyric Stage” by Susan Thomas. Revista Musical Chilena 67/220 (2013): 110-113.
Hudde, Hermann. Review of “Latin American Classical Composers: A Biographical Dictionary,” by Miguel Ficher, Martha Furman Schleifer and John M. Furman. Revista Musical Chilena 66/218 (2012): 86-87.
PUBLISHED REVIEWS (SCORES)
Hudde, Hermann. Review of “Inocente Carreño. Inocente Carreño: Obras para piano. Volumen 10. Editado por Mariantonia Palacios. Revista Musical Chilena 68/222 (2014): 106-107.
Hudde, Hermann. Review of “Vol. 9 Clásicos de la literatura pianística venezolana. Federico G. Vollmer: Obras para piano.” Nineteenth-Century Music Review 10/1 (2013): 197-198.
Hudde, Hermann. Review of Caicedo Patricia “La Canción artística colombiana. Jaime León: Análisis compilación de su obra para voz y piano.” Revista de Musicología 35/2 (2012): 390-394.
